Showing posts with label Clutch. Show all posts
Showing posts with label Clutch. Show all posts

Another @#$&! 2015 Top 10 rock albums list: Part 2

The best five metal and hard-rock records of the year
By Peter Lindblad

Sevendust brought forth 'Kill The Flaw'
in 2015
While death and the mortality of rock legends have dominated headlines in recent weeks, stories of musical resurrection and redemption made 2015 a year of renewal and inspiring artistry, with a number of fantastic records seeing the light of day. Such tales were sorely needed.

Most notably, Sol Invictus marked the glorious return of Faith No More, proving that even after lying dormant for 11 years, the intensely creative spark within them still burned as bright as ever.

And then there was Baroness, still reeling from a horrible tour bus accident that caused the departure of half the band and forced John Baizely to go through excruciating rehabilitation. In spite of their troubles, Baroness marched on, releasing in December one of the year's most life-affirming records with Purple. For consistency and continued brilliance, there's Clutch, whose album Psychic Warfare provided more evidence of their greatness, and Motor Sister's Ride showed that all Mother Superior's Jim Wilson needed was a little help from friends like Anthrax's Scott Ian, his wife Pearl and Joey Vera, of Fates Warning and Armored Saint, to churn out great '70s-inspired rock 'n' roll.

Ross the Boss and Death Dealer screamed, "Death to false metal" with their rugged, all-encompassing brand of power metal on Hallowed Ground. Lucifer conjured up beautifully evil sonic witchcraft. Fear Factory crafted another epic sci-fi concept record with Genexus. Rivers Of Nihil conceived a nightmarish dystopian scenario in Monarchy, and TesseracT somehow performed some kind of weird alchemy to convert complex prog-metal into something melodic and tuneful on Polaris. In the end, however, none of those records made the final cut, failing to beat out others like Sevendust's dense and darkly soulful Kill The Flaw. Here's a look at our top five albums in metal and hard rock for this past year:

Baroness - Purple
5. Baroness – Purple: Arriving late to the party, Purple was an emotional volcano, erupting and overflowing with anguish, confusion, joy and a determination to not let the harsh reality of their circumstances derail the mighty Baroness. A binge-and-purge record that celebrates and appreciates life and all its confounding highs and lows, Purple made a statement, a declaration of independence from what happened in the past with arms spread wide to embrace the future. Its rough-textured riffs seemingly chiseled out of granite, Purple is not smooth or stylish, but it is powerful, exciting, heavy and raw, with full-bodied choruses of voices bloodied and beaten, but unbowed. It slams into ears like a giant runaway freight train. The feel-good story of the year.

Sevendust - Kill The Flaw
4. Sevendust – Kill The Flaw: Luxurious melodies pulled along by strong, thick currents of heavy guitar riffs combine to make Kill The Flaw nearly flawless, as do the rich, full-bodied vocals of Lajon Witherspoon and Morgan Rose's accomplished drumming. Never once have they lost that sense of who they are, and yet Kill The Flaw finds Sevendust still growing and maturing as artists, expanding their signature sound without compromising their integrity. Commercially speaking, the '90s were nirvana for Sevendust, but in the here and now, they're as polished and potent as they've ever been.

Clutch - Psychic Warfare
3. Clutch – Psychic Warfare: Earth Rocker was a tight, efficient machine running on organic grooves, grabbing hooks and killer riffs. On Psychic Warfare, all those elements can still be found, along with Neil Fallon's oddball humor and infectious storytelling, his forceful, rousing delivery begging for a rapt audience of miscreants. What also emerges is a tougher, more tumultuous sound that doesn't mind digging around in the muddy blues of ZZ Top. There is plenty of dirt on Clutch's boots and flannel shirts here, but when the time comes to regale us with noir-like tales from the trailer court, mystery and menace lurks in the shadows.

Motor Sister - Ride
2. Motor Sister – Ride: Explosive proto-punk mingles with rugged, rough-and-tumble '70s American hard rock and shaggy, blues-infused soul on Ride, the earthy, tuneful album that shined a light on '90s underdogs Mother Superior and its talented leader Jim Wilson. The genuine article in a period of pop insincerity, artificiality and insipidness, Ride is hungry for riffs and has real blood running through its arteries of compelling, gripping melody. It has swagger, energy and sex appeal – everything good, meat-and-potatoes rock 'n' roll music should have, although Motor Sister manages to elevate it to something more inspired and pure. It is altogether human, and it knows what it likes, and you want to hang out with it for hours on end in a dimly lit tavern before taking it someplace more exciting and dangerous, because it's not a stick in the mud and it wants a little adventure before the night ends. This Ride should never end.

1. Faith No More – Sol Invictus: Sol Invictus really is the album of the year, unlike the 1997 Faith No More LP that sarcastically proclaimed itself to be just that and failed to deliver on such promises. Furiously propulsive, deeply soulful, and incredibly diverse and playful, Sol Invictus isn't Angel Dust and it isn't The Real Thing, but it's something in between – a uniquely eclectic entry in the Faith No More catalog that remains interesting and intoxicating right up until its last breath. The sonic architecture of Sol Invictus is designed to amaze, and it leaves lasting memories of melodic grandeur, schizophrenic vocal treatments, swirling keyboards, rhythms constantly pushing and pulling back, and guitar riff conflagrations. Translated from Latin, the title of the album supposedly means "Unconquered Sun." That's as apt a description of this record as any ever written.


Short Cuts: Clutch, Black Stone Cherry, The Rolling Stones

CD Review: Clutch – Psychic Warfare
Weathermaker Music
All Access Rating: A

Clutch - Psychic Warfare 2105
Psychic Warfare is real. Neil Fallon says so on a fantastically frenetic "X-Ray Visions," and the battle is joined, Clutch working itself into a swarming, groove-powered lather. Fallon's skirmishes of the mind are soundtracked with momentum-gathering riffing and hooks as tight as balled-up fists in a song that goes from a rolling boil to a tension-packed simmer as Fallon makes band introductions based on astrological signs before Clutch again blows the lid off the place. It's as if an invading army is overrunning an enemy territory, setting off another equally delirious, earth-scorching conflagration called "Firebirds." Clutch is just beginning to show its hand, and it's an unbeatable one, as Fallon's oddly compelling tales of the weird ("Decapitation Blues" tackling the subject of reanimation and all) are couched in unstoppable, hard-rock fury ("Sucker For The Witch"), cinematic Western noir ("Our Lady Of Electric Light"), nasty, cat-scratched funk ("Your Love Is Incarceration") and sizzling blues ("A Quick Death In Texas"). After hitting an all-time high in delivering an agile and sinewy Earth Rocker LP in 2013 with hooks that killed, Clutch simply refuses to rest on its laurels, the hardscrabble, haunted blues of "Son of Virginia" rising into a thunderous closing epic as Clutch declares war on mediocrity.

CD/DVD Review: Black Stone Cherry – Thank You: Livin' Live, Birmingham, UK October 30, 2014
Eagle Vision
All Access Rating: B-

Black Stone Cherry - Thank You:
Livin' Live, Birmingham, UK
October 30, 2014
A simple "Thank You" from Black Stone Cherry will suffice, as these post-grunge sons of the South rise again in a country that has embraced with open arms. Their third album, 2011's Between The Devil and the Deep Blue Sea, hauled ass all the way up to No. 1 that year in Great Britain, and Black Stone Cherry hasn't forgotten that. With a raucous, high-energy performance at Birmingham's LG Arena – now available on DVD, Blu-ray or as a CD/DVD combo entitled "Thank You: Livin' Large, Birmingham, UK October 30, 2014" – just over a year ago, they showered the audience with appreciation and stomping, sleazy riffs dug out of Nickelback's homogenous compost heap and recycled under a different brand. Though shot professionally in high-definition, the sparkling clean camera work isn't very imaginative. Neither is Black Stone Cherry's generic music, which has always been willing to rinse itself free of grit and earthiness for a glossy shine. Still, the photography does manage to heighten and add fuel to Black Stone Cherry's fiery passion, plainly evident in swaggering, arena-sized rockers "Rain Wizard," "Me and Mary Jane" and "White Trash Millionaire." And the crowd is clearly with them, singing in unison with every word to almost every number. Youthful exuberance and full volume only go so far, however, as Black Stone Cherry suffers from occasional bouts of off-key singing, bland guitar work and loose drumming – the hot messes that are "Bad Luck and Hard Love" and "Holding On ... To Letting Go" being the most egregious crimes. On the other hand, more poignant material such as the soaring "In My Blood" and "Things My Father Said" forms a strong bond between crowd and the performers, making the concert feel like a family reunion. And for fans of Black Stone Cherry, this is a nicely arranged package, as live material and interview footage from a performance at Download Festival are nice additions, even if the lack of liner notes is glaring.

2 CD/DVD Review: The Rolling Stones – From The Vault: Live In Leeds 1982
Eagle Rock Entertainment
All Access Rating: B+
The Rolling Stones - From the Vault:
Live In Leeds 1982

The Rolling Stones had miles to go before they slept. Their 1982 European Tour in support of their 1981 release Tattoo You would be their last for a stretch of seven years, but before unexpectedly going dark for such an extended break, the Stones had to attend to one more piece of business: a daytime show on July 25, 1982 at Roundhay Park in Leeds, England, now available in digital formats or as a 2-CD/DVD package that also comes in Blu-ray. For all its clarity and glossy definition, the cinematography is rather odd, employing an overabundance of fairly extreme facial closeups – the most awkward of which focus on Bill Wyman's vacant expression – in some weird shuffle. At the same time, it highlights the Stones' outlandishly gaudy fashion sense and intently studies the instrumental flair of Ronnie Wood, Charlie Watts and Keith Richards, while drinking in Mick Jagger's excitable onstage charm. Another in an ever-expanding "From The Vault" series of classic, previously unreleased concert material, this set is an uneven affair. As tired and disinterested as they appear early on during "When The Whip Comes Down," "Going To a Go Go" and "Shattered," the Stones are revived by the bluesy "Black Limousine," a rough-and-tumble cover of Eddie Cochran's "Twenty Flight Rock" and a rip-roaring, ramshackle version of "Little T&A." Perfect on a summer day, with a massive crowd in attendance, their breezy, blissful version of "Just My Imagination" is sunny and soulful, and on "Tumbling Dice," "Miss You," "Beast of Burden" and "Brown Sugar" they seem to savor every delicious note. Well-written liner notes give necessary context to this historic performance, the last for piano player Ian Stewart with the Stones, in a nicely designed booklet that rounds out what is, for the most part, a solid live release. Just please leave poor old Bill alone.
– Peter Lindblad

Best of 2013 in Hard Rock and Heavy Metal ... Part 4

It's the final countdown 
By Peter Lindblad

And so, it's come to this. The final five. The best of the best.

2013 turned out some truly monstrous and carnivorous hard rock and heavy metal, as All Pigs Must Die's Nothing Violates This Nature simply devoured the competition. Motorhead did what it always does, but somehow, Lemmy Kilmister and the boys did it better than they have in a long time.

ASG took a great leap forward, Michael Monroe made people forget about Hanoi Rocks, and Clutch stopped messing around and made the most direct and gripping appeal for a rock 'n' roll revival of anybody in the last decade.

But, before we dig into the five courses set on this table, what about some great records that didn't make the top 20 cut? Stryper's utterly compelling No More Hell to Pay and Kingdom Come's moody Outlier deserve something more than honorable mention, as do Stone Sour's House of Gold & Bones Vol. 2 and Bad Religion's Due North.

Alas, choices had to be made. So, read on, and see if you agree with them.

All Pigs Must Die - Nothing Violates
This Nature 2013
5. All Pigs Must Die: Nothing Violates This Nature Take members of Converge, the Hope Conspiracy and other merchants of death metal. Throw them together into the deepest, darkest pit of inhumanity, let them paint on the walls scenes of violence and murderous madness with their own filth and give them guitars, bass and drums. They will marry blistering hardcore and extreme metal in the unholiest of ceremonies, creating one of the most ferocious and aggressive albums of the year. Rampaging riffs and crazed, writhing rhythms get all gnarled and twisted by backbreaking shifts in dynamics, as All Pigs Must Die turn heavy, bringing about immense power surges, or speeding headlong into scenes of unimaginable brutality. Few entities have ever spewed this much hatred with such exacting and raging articulation.


ASG - Blood Drive 2013
4. ASG: Blood Drive – Once upon a time, ASG stood for All Systems Go. Copyright issues forced these North Carolina stoner metal/Southern rock mystics to shorten the name, but with Blood Drive, ASG has shown it is ready for launch. Mammoth riffs and tantalizingly slow tempos bid you to follow, becoming sirens that lure listeners into towering forests and craggy mountains of sound. Occasionally, ASG flies to celestial realms, gazing about in wonder as they try to comprehend just where they ended up. More often than not, though, ASG knows exactly where they're going, and they are unafraid. A cookie or some orange juice is needed after this Blood Drive.

Motorhead - Aftershock 2013
3. Motorhead: Aftershock –Contrary to popular belief, Lemmy is not indestructible, as his recent health scares have so frighteningly illustrated. Aftershock, on the other hand, could never be destroyed. It's that cockroach of an album that would live through anything. Like all Motorhead efforts, Aftershock is audacious, high-octane rock 'n' roll, with some bluesy grit thrown in for good measure. Constantly in danger of going off the rails, it somehow manages to always stay on track, picking up speed and running over anything that gets in its way. 

Michael Monroe - Horns and Halos 2013
2. Michael Monroe: Horns and Halos – Thank God for Michael Monroe. Still making great rock 'n' roll that belongs in a gutter and looking fabulous in his tattered glam-rock garb, Monroe is on fire these days, having released in recent years not one, but two albums of rousing, straightjacket-tight rock anthems with hooks all over the place, energy to burn and a little bit of a punk sneer on their dirty faces. Horns and Halos didn't just give 2011's Sensory Overdrive a run for its money. It stole its wallet, ducked down an alleyway to escape and divvy up the loot, and then blew it all on prostitutes and drugs. " … Junkies, pimps and whores, hallelujah," indeed.


Clutch - Earth Rocker 2013
1. Clutch: Earth Rocker – Clutch trimmed the excess sonic fat, like any good studio butcher, leaving the lean meat of Earth Rocker, as Neil Fallon and company concoct a dish with this rock 'n' roll protein that couldn't have been more flavorful. Straightforward, never wandering off into places it shouldn't go, Earth Rocker was propelled by the force of its own sinewy momentum, its groove-metal engine always running clean and hot. Never has Clutch sounded this focused or this tight, Earth Rocker assuming even more power and ballsy drive than seemingly all of its past efforts combined. We all should be earth rockers.

CD Review: Clutch – Earth Rocker


CD Review: Clutch – Earth Rocker
Weathermaker Music
All Access Review: A

Clutch - Earth Rocker 2013
Having a fast machine is more important to Neil Fallon than just about anything. Well-meaning people keep telling the Clutch front man he has to change his evil ways on the track “Crucial Velocity” from the groove-metal champions’ newest flaming chunk of blistering, no bullshit rock ‘n’ roll Earth Rocker, that deceit leads to jail time and cheating everyone is going to get him into hot water one day.

Fallon isn’t worried about it. He can always jump into his “Rocket 88, the fastest in the land” and drive away. They’ll never catch him, not with the slightly fuzzed-out, turbo-charged “Crucial Velocity” on the radio, at least. One of the best driving songs since Fu Manchu’s “Mongoose,” it practically demands that you step on the gas, even if your radar detector advises you shouldn’t. So does “Unto the Breach,” another satisfying, hell-on-wheels riff fest that turns on the afterburners and squeals its smoking tires before racing down the straightaway at unsafe speeds.

And that’s the direction on Clutch’s GPS for Earth Rocker, out on the Weathermaker Music label. It is always pointed straight ahead, and there are very few detours, aside from the cosmically soulful “Gone Cold” Clutch roasts slowly on a spit over some cowboy’s campfire on a cold desert night. Trimming the blues fat from their most recent releases, Clutch adopts a leaner, more aggressive stance on Earth Rocker, even if the Texas two-stepping boogie and outlaw attitude of the revenge fantasy “Book, Saddle & Go” rolls up a fatty of Tres Hombres-era ZZ Top and inhales deeply.

Tempos vary on Earth Rocker, as the stoner-metal heaviness, funk grooves and wah-wah radiance of “The Face” and “Mr. Freedom” – gurgling like a bong – chug along with brutal, calculating precision, organically growing ever more powerful and seductive, while “Cyborg Bette” sounds like Canned Heat on amphetamines and the full-throated roar of the title track takes full advantage of Clutch’s limitless horsepower. Primal and loud, these witches’ brews of chemically-induced mayhem mix screamingly efficient guitar solos from Tim Sult, forceful vocals, hammering riffs and diverse rhythms to make potent magic.

Lyrically vicious, defiant and unapologetic about anything, Earth Rocker is the voice of a modern-day warrior battling the forces of conformity and complacency and doing so while firing up a musical vehicle that is built not only for speed, but also for effortless and subtle shifts in dynamics. Get in and go for a ride. There is plenty of room in this Rocket 88. (http://weathermakermusic.com/)
– Peter Lindblad